Issuu

多瑪倉庫劇院 The Donmar Warehouse production of

BLINDNESS

盲流感

行政長官的話

MESSAGE FROM THE CHIEF EXECUTIVE

大部分節目，當中許多節目更開放予世界各地愛好藝術的觀眾。

衷心祝賀香港藝術節今年踏入第 49 屆。這一年一度的藝術盛事在新冠肺炎疫情的挑戰下，仍然辦得有聲有色，精采可期。

今年藝術節帶來一連串繽紛多彩的網上及現場節目，涵蓋音樂、歌劇、戲劇、舞蹈、電影等多個藝術範疇。總體來說，藝術節會在「遠在咫尺」的主題下，呈獻合共約三百場節目、活動及表演。藝術節的亮點，包括捷克布爾諾國家歌劇院及其兩年一度「布爾諾楊納傑克節」的多場精選數碼版歌劇及音樂會。同樣引人注目的，還有兩部取材自英國劇作家尼爾．巴奈特改編劇作《鼠疫》的發人深省作品，一部為英語版，另一部為粵語版。粵語版為香港本地製作，英語版則由身處六個地區的六名演員作網上實時演出。來自蘇格蘭鄉村的魔術師史葛．蕭凡亦會在網上實時演出，他的互動作品《心靈旅程》每場只限三十位觀眾參與。此外，亦有十六部慶祝香港賽馬會當代舞蹈平台十周年的製作，包括與中國內地及英國藝術家合力創作的作品。在藝術節開幕演出中，香港中樂團會進行兩首曲目的世界首演，而廣獲讚譽的莫斯科莫伊謝耶夫舞團，則會為這國際藝壇盛會作閉幕演出。我很高興市民可於登記後免費觀賞

藝術節一如以往，在學校推廣藝術教育，並透過幕後花絮影片、藝術家對談、演前及演後講座等「加料節目」，讓觀眾與藝術家互動交流。

衷心感謝香港藝術節團隊努力不懈，悉心籌辦以上各項節目及活動。我亦感謝贊助商和捐款者大力支持藝術文化，與藝術文化界共渡時艱。謹祝香港藝術節圓滿成功，為大家帶來一趟精采難忘的藝術之旅。

It gives me great pleasure to congratulate the Hong Kong Arts Festival on the staging of its 49th annual celebration of the arts, and doing so in splendid fashion despite the daunting challenges of the COVID-19 pandemic. This year’s Festival features a cheering range of online and in-venue programmes showcasing music, opera, theatre, dance, film and more. In all, the Festival presents some 300 events, activities and performances under the theme “Separate Together”. Festival highlights include a dazzling digital selection of operas and concerts from the Czech Republic’s National Theatre Brno and its biennial Janá ek Brno Festival. Equally notable are two piercing productions of British playwright Neil Bartlett’s adaptation of The Plague, one in English, the other in Cantonese. The Cantonese version is produced in Hong Kong, while the English version is a live

香港特別行政區行政長官

林鄭月娥

online performance starring six actors in six time zones. Illusionist Scott Silven also performs online and live, from rural Scotland. His interactive production, The Journey, is limited to 30 participants per show. The Hong Kong Jockey Club Contemporary Dance Series celebrates its 10th anniversary with 16 productions, including collaborations with artists from the Chinese mainland and the United Kingdom. The Festival opens with the Hong Kong Chinese Orchestra performing two world premieres and concludes its international slate with the acclaimed Igor Moiseyev Ballet from Moscow. I find it particularly gratifying to note that the vast majority of events are available free of charge, upon registration, with many of them open to arts lovers from all over the world. The Arts Festival’s promotion of arts education in schools continues. And PLUS programmes bring together audiences and artists through behindthe-scenes videos, artist dialogues and pre- and post-performance talks. For all that, and much more, I am grateful to the inspired diligence and dedication of the Hong Kong Arts Festival team. My thanks, too, to the sponsors and donors for their generous support of the arts and culture, particularly in these trying times. I wish you all an enjoyable and memorable Hong Kong Arts Festival.

Mrs Carrie Lam

Chief Executive Hong Kong Special Administrative Region

主席的話

MESSAGE FROM THE CHAIRMAN

第 49 屆香港藝術節思考「距離」及「聯繫」的意義，我亦希望藉此機會感謝一眾促成今天表演的支持者，這場表演為我們提供難得的機會，探索與他人聯繫的方法。我衷心感謝香港特別行政區政府透

過康樂及文化事務署提供年度撥款，以及香港賽馬會慈善信託基金持續並堅定地支持我們，也感謝眾多企業贊助商、慈善基金會以至個人捐助者，在這前所未有的挑戰中給予我們莫大的幫助，與我們並肩同行。亦要感謝一眾富有才華的藝術家傾力演出，令今天的表演生色不少。同時也感謝觀眾的參與，令演出能圓滿成功。希望你會在今天的演出中找到屬於自己的聯繫，並像我一樣珍視這些連結。

As we reflect on distance and connection in the 49th Hong Kong Arts Festival, I would like to thank everyone who has made this performance possible, giving us an invaluable opportunity to explore ways of connecting with others. I am grateful to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention; and to The Hong Kong Jockey Club Charities Trust for its staunch and ongoing support. Thanks are also due to our corporate sponsors, charitable foundations and individual donors, who continue to stand by us in these unprecedented circumstances. Sincere thanks also go to all of the participating artists, whose talent and dedication have gone into today’s performance; and to you, the audience, without whom the show would not be complete. I hope you will find your own connection to today’s performance and will treasure it as much as I do.

香港藝術節主席

查懋成

Victor Cha

Chairman Hong Kong Arts Festival

行政總監的話

MESSAGE FROM THE EXECUTIVE DIRECTOR

我連同藝術節團隊，很高興歡迎閣下觀賞第 49 屆香港藝術節的演出。

過去一年，香港以至世界情勢面臨前所未有的變化，使我們都體會到分離和孤獨的滋味。「遠在咫尺」所指的，正是我們這種共同經歷的感

With all my colleagues, I am thrilled to welcome you to this performance in the 49th Hong Kong Arts Festival.

Over the past year, we have shared the isolation resulting from unprecedented circumstances both in Hong Kong and around the world. 受。今屆藝術節的不少節目亦與之 “Separate Together” acknowledges 呼應，身處各地的藝術家及觀眾， what we have all been going through, 因為藝術節的演出及活動而拉近彼 and is referenced in a number 此距離。另一方面，「遠在咫尺」亦 of productions this year. It also 點出所有優秀藝術作品擁有的奇妙 alludes to all the separate artists 力量：既能喚起最獨特、深刻的個 and audiences brought together for 人感受和回應，但同時又能讓觀者 performances and events. At the 一同分享種種奧妙、感動、啟迪 same time, “Separate Together” 和鼓舞。今屆藝術節將呈獻眾多演 describes one of the most magical 出，我衷心希望我們會一起體會藝 aspects of great art: its capacity to elicit uniquely and deeply personal 術的奇妙力量。 responses while paradoxically giving 此外，敬請留意一連串「加料節目」 us a shared moment of wonder, to be 活動，為你在演出以外打開新的觀 moved, inspired and uplifted. I hope 賞角度，令觀賞體驗更豐富。請盡 very much that we will experience this together in many performances in the 情投入！ course of the Festival. Please also look out for ancillary PLUS programmes and events, which are curated to provide additional dimensions to the work presented, and enrich your Festival experience. Enjoy!

香港藝術節行政總監

何嘉坤

香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:

Tisa Ho

Executive Director Hong Kong Arts Festival

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 A major international arts festival in, of and for Hong Kong

「藝術的創作與演出給世界帶來美麗，給人類引起鼓舞，給生命充實活力，給社會增添光輝……這是舉辦香港藝術節的崇高意義。」

“Creative and representational arts have a common mission. They bring beauty to the world, courage to mankind, vigour to life, and brilliance to society… Therein lies the noble significance of the Festival.” 香港藝術節協會永遠名譽會長邵逸夫爵士 (1907–2014) Sir Run Run Shaw, CBE, HKAF Honourary Life President (1907–2014)

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，致力豐富香港的文化生活。藝術節的節目精采多元，涉獵音樂、歌劇、戲曲、實驗劇場、芭蕾舞以至街舞等林林總總的類型。過往曾獲邀在藝術節舞台表演的國際演藝名家及團體包括一流的國家歌劇院、劇團、管弦樂團，以及眾多具代表性的表演者等。我們亦經常與傑出的國際藝術家及團體攜手製作演出。

我們亦積極與本地演藝人才合作，並致力為新進藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，不少更已在香港及海外多次重演。

為使香港的文化生活更豐富，我們每年於藝術節前及期間主辦一系列多元化並深入社區的「加料節目」，例如電影放映、大師班、展覽、藝人談、後台參觀及文化導賞團等，鼓勵觀眾與藝術家互動接觸。

我們亦銳意將共融藝術理念拓展到社區每一角落。由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限亮」計劃於 2019 年正式開展，透過一系列的演出及多元的教育及社區外展節目，「無限亮」致力創造共融空間，讓不同能力人士均可以一同欣賞、參與及擁抱藝術。

The Hong Kong Arts Festival (HKAF) is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts in February and March each year. Since its launch in 1973, the HKAF has presented top international artists and ensembles across multiple genres—from music, opera, Chinese opera and ballet to break dance and experimental theatre. International guests have included major state operas, established theatres, top orchestras and stars of the day. We also frequently partner with renowned international artists and institutions to produce exceptional new works. We have also collaborated with Hong Kong’s own creative talent to produce work which is now part of the local canon and to showcase emerging local artists. Over the years, the HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance—many with successful subsequent performances in Hong Kong and overseas. As part of our enduring commitment to enriching the cultural life of the city, we organise a diverse range of Festival PLUS activities for the community before and during the Festival to enhance engagement between artists and audiences. These include film screenings, masterclasses, exhibitions,

為了培養未來的藝術家和觀眾，我們大力投資下一代的藝術教育。「青少年之友」成立 29 年來，已為逾 782,000 位本地中學生及大專生提供藝術體驗活動。會員可參加由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排，以及欣賞藝術節演出等。通過「學生票捐助計劃」，藝術節每年亦提供約 10,000 張半價學生票。

香港藝術節是一所非牟利機構，其主要收入除了政府的恆常資助及票房外，極大一部分來自各大企業、熱心人士和慈善基金會的贊助和捐款，以及政府針對捐款和贊助收入而提供的配對資助。

*2021 年 1 月更新 Updated January 2021

過往節目一覽

Visit our programme archive

meet-the-artist sessions and guided backstage and cultural tours. Beyond the main Festival, the HKAF also promotes inclusivity and understanding through the arts. Its “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, strives to create an inclusive space for people with different abilities to share the joy of the arts together. To nurture the next generation of artists and audiences, the HKAF also invests heavily in yearround arts education for young people. Over the past 29 years, our “Young Friends” scheme has reached over 782,000 local secondary and tertiary school students; members can enjoy showcases, pre-performance talks, open rehearsals, Festival performances and in-school workshops led by international and local artists. Donations to the Student Ticket Scheme also make approximately 10,000 half-price student tickets available each year. The HKAF is a non-profit organisation. Its principal income sources are: recurrent funding from the government, box office revenues, and sponsorship and donations made by corporations, individuals and charitable foundations which form a significant portion of total income and also enables the HKAF to receive support from the Government’s matching scheme that matches income generated through private sector sponsorship and donations.

多瑪倉庫劇院

The Donmar Warehouse production of

盲流感

BLINDNESS 15–18.04.2021 西九文化區自由空間大盒

The Box, Freespace, West Kowloon Cultural District

演出長約 1 小時 15 分鐘，不設中場休息

Approx 1 hour and 15 minutes with no interval

英語演出

Performed in English

遲到者或中途離場的觀眾不得進場

Latecomers and audience members who leave the auditorium will not be admitted

適合 15 歲或以上觀眾欣賞

Recommended for ages 15 and above

此裝置劇場長時間於全黑的環境下進行，亦有與觀眾近距離的閃光及強光效果，以及巨大聲響

The installation includes loud noises, extended periods of complete blackout, strobe lighting and bright flashing lights in close proximity to the audience

導演隨筆

訪問 Interview

Director’s Introduction 華特．邁耶約翰

with Walter Meierjohann —

說書人之聲 / 醫生太太

Voice of the Storyteller / Doctor’s wife

茱麗葉．史提芬森

Juliet Stevenson 文本 Writer

西蒙．史提芬斯

Simon Stephens 導演 Director

華特．邁耶約翰

創作團隊簡介

多瑪倉庫劇院簡介

Walter Meierjohann

Creative Team Profiles

About Donmar Warehouse

此裝置劇場含粗俗語言，部分內容提及性侵、身體暴力行為及心理創傷經歷

This installation includes strong language, discussion of sexual assault, description of acts of physical assault and explorations of psychological trauma

封面照片 Cover Photograph © Helen Maybanks

敬請關掉所有響鬧及發光裝置 Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷 This programme is printed on environmentally friendly paper

請勿擅自攝影、錄音或錄影 Unauthorised photography or recording of any kind is strictly prohibited 如不欲保留本場刊，請於完場後放入場地的回收箱 If you don't wish to keep this booklet, please return it to the admission point

多瑪倉庫劇院《盲流感》

社交距離下的聲音燈光裝置劇場 A socially distanced sound installation

The Donmar Warehouse production of Blindness

茱麗葉．史提芬森聲音演出

With the voice of Juliet Stevenson 原著為荷西．薩拉馬哥小說

Based on the novel by José Saramago 西蒙．史提芬斯改編

音效設計 Sound Designers

班．榮咸及麥斯．榮咸

Ben and Max Ringham 劇場設計 Designer

莉茲．克拉肯

Lizzie Clachan

Adapted by Simon Stephens 華特．邁耶約翰執導

Directed by Walter Meierjohann

燈光設計 Lighting Designer

潔西卡．洪

Jessica Hung Han Yun 製作顧問 Production Consultant

漢娜．湯遜教授

Professor Hannah Thompson 駐團助理導演 Resident Assistant Director

莎拉．阿尼卡．馬里克

Sara Aniqah Malik

鳴謝 Acknowledgements José Saramago Foundation Angus Wright – Additional Voice Simon Stephens’ adaptation of Blindness is based on Giovanni Pontiero’s translation of the original novel

導演華特．邁耶約翰與《盲流感》的二十年之緣

DIRECTOR WALTER MEIERJOHANN EXPLORES HIS 20-YEAR JOURNEY WITH BLINDNESS

我在九十年代中期發現作家荷西．薩拉馬哥的著作，之後於 1999 年，當我在阿姆斯特丹創作歌劇《阿依達》時，一氣呵成地讀完《盲流感》。讀後，感覺為之震撼，小說很黑暗，異常的黑暗，挑戰讀者去想像整個世界除了一個女人之外，其餘所有人都失明了。薩拉馬哥同時是諾貝爾文學獎得主，透過這本小說向讀者叩問：「作為人類，我們將如何應對文明在疫症下瓦解？」讀完此書後，我便開始思考可否將小說改編成劇作，搬上舞台演出。

I discovered the work of writer José Saramago in the mid-90s and then in 1999, while working on the opera Aida in Amsterdam, I read Blindness in one sitting. It took my breath away. It was dark, incredibly dark and such a provocation for the reader to imagine a world in which everybody except one woman had gone blind. Saramago, who in the meantime had won the Nobel Prize for Literature, asked the question: how would we as human beings react to a breakdown of civilisation in the form of an epidemic? Soon after finishing the book, I started to think, could this novel be adapted for the stage?

導演隨筆

Director’s Introduction

在過去二十年，我先後三次嘗試將這本精采的小說搬上舞台。第一次在 2005 年，當時我在德累斯頓國家劇院的一間新文本寫作劇院擔任藝術總監。《盲流感》不但影射德國歷史中最黑暗的一頁，似乎還是回應近年在德累斯頓冒起的極右主義的最佳作品。不過，因為物流和安排上的考慮，製作最終無法實現。

2008 年，我遷居倫敦，並擔任新域劇團的副導演。我再次嘗試搬演此劇，於巴特西發電站的海濱長廊創作場域特定演出，以回應當時的金融危機。可是，財務上未能成事，搬演又一次失敗。

Over 20 years, I have made three attempts to stage this incredible novel. First, in 2005 as artistic director of a new writing company within the State Theatre of Dresden. Blindness alludes to the darkest chapter in German history and seemed to be the perfect material to address the recent rise of the far-right in Dresden. Unfortunately, for logistical reasons, the production didn’t materialise. In 2008, having moved to London and become an associate director at the Young Vic, I tried to stage the production in response to the financial crisis as a site-specific promenade piece at Battersea Power Station. Unfortunately, the finances didn’t come through. 13

導演隨筆

時間快進，來到 2016 年脫歐公投，以及民族主義在英國急速冒起之後，我覺得有迫切需要將小說製作成舞台作品。當時我在曼徹斯特擔任 HOME 藝術中心的藝術總監，於是委約西蒙．史提芬斯為我進行改編的工作。他優雅、輕巧的文筆，於我而言似乎是處理這本鉅著的最佳編劇人選，史提芬斯猶如一個雕塑家，能把一本三百頁的小說濃縮成三十五頁。他的第一稿有十個角色，舞台指示寫着：一百人進場。可想而知，製作規模之大將會是一大挑戰，但至少我們有初步構思！ 2019 年 3 月，經過在英國國家劇院為期一星期的工作坊，我們有幸與一個大型劇團合作，並由演技精湛的茱麗葉．史提芬森擔演主角，其後，西蒙忽發其想，將他之前的改編變成獨白形式。這就是我於 2020 年初交予多瑪倉庫劇院的版本，當時完全沒有預料到一場真正的疫症將會影響全球人類的生活。在我這二十年的旅程之中，這些材料一直伴隨我穿梭各個城市，使我意識到過去這麼多年來，世界已有翻天覆地的改變，亦讓我反思作為劇場製作人，去回應重大社會及政治事件是多麼重要，也令我思考究竟我們希望生活在一個怎樣的世界。我由衷感激多瑪倉庫劇院於原著面世二十多年後，在遵從社交距離措施的情況下，將《盲流感》搬上舞台，呈現一個令人意想不到的新視點。

Fast-forward again: after the Brexit referendum in 2016 and the palpable rise of nationalism in the UK, I felt the urge to return to the novel and commissioned Simon Stephens to write an adaptation for me in my new position as artistic director of HOME in Manchester. With his beautiful, sparse writing, he seemed to me the perfect playwright to tackle this epic novel and, like a sculptor, he was able to shape the essence of a 300-page novel into 35 pages. His first draft had ten characters and stage directions which said: enter 100 people. The magnitude of the project was going to be a challenge, but we had a draft! After a week-long workshop at the National Theatre Studio in March 2019, working with a large company and the extraordinary Juliet Stevenson in the leading role, Simon came up with the idea of turning his adaptation into a monologue. This was the draft I passed to the Donmar at the beginning of 2020, without an awareness of how a real epidemic was about to affect all of our lives.

Director’s Introduction

My personal journey with the material across these different cities has made me reflect on how volatile the past 20 years have been and how essential it is for us theatre-makers to respond to these major social and political events, and to reflect on what kind of world we want to live in. I am incredibly grateful to the Donmar that, after two decades, Blindness has found an unexpected new vision for its performance, adapted to the rules of socially distancing.

與導演華特．邁耶約翰暢談《盲流感》 A CHAT WITH THE DIRECTOR WALTER MEIERJOHANN ON

BLINDNESS 《盲流感》改編自荷西．薩拉馬哥同名小說，導演華特．邁

耶約翰對於製作此劇的決心橫跨二十年。為此，香港藝術節特意與他暢談這齣獨特的劇作。

For director Walter Meierjohann, adapting José Saramago’s contemporary classic Blindness has been an ambition stretching back two decades. The Hong Kong Arts Festival spoke to him about a very unique theatrical production. 16

訪問

Interview

多瑪倉庫劇院是英國在 2020 年夏天第一次封城令解除後首個重開的劇場。疫情如何影響劇作的進程？是否純粹因應防疫的實際情況而拉開觀眾的距離？在我與多瑪倉庫劇院藝術總監米高．朗赫斯特早期的溝通中，已得悉無法請茱麗葉在現場演出，所以利用耳機作為演出形式的意向於早期討論時已初步成形。最為有趣的是，防疫措施形塑了這部製作的概念：觀眾在舞台上保持社交距離，他們成為演出的主角。劇場設計師莉茲．克拉肯投放了許多心思，考慮如何以靈活的方式安排觀眾座位。

Donmar Warehouse was the first British theatre to reopen after the first lockdown was lifted in 2020 summer. How did the pandemic conditions shape the logistics of the production? Was it simply a pragmatic choice to have the audience distanced in the way it was?

audiences were placed in a socially distanced way onstage; they became the protagonists of the show. Lizzie Clachan (the designer) put a lot of thought into how the audiences were going to be seated in a dynamic way.

It was clear in our first conversations that we couldn’t have Juliet live on stage, so the idea of a headphone show took shape early on in my conversations with Michael Longhurst (artistic director, Donmar Warehouse). What was very interesting that the pandemic restrictions shaped the concept of this production: 17

這次的音效設計與你平常的製作有分別嗎？無可否認，音效是整個製作的核心，但《盲流感》事實上是一個音效及燈光裝置作品。我們成功找到一個新的方式，讓燈光裝置與音效互動交流，有時演出環境會進入兩個不同的極端情況，也許是完全黑暗，也許是刺眼的光明。演出的第二部分是焦點之一，我們利用「人頭錄音」技術錄製茱麗葉的獨白，讓觀眾沉浸於她的環迴立體聲演之中。對於每一部分使用哪些咪高峰，我們都經過深思熟慮，這些做法絕對與一般演出截然不同。但總之，音效和燈光的設計十分關鍵，加上茱麗葉的演出亦非常出色。茱麗葉．史提芬森雖然是以聲音演出，但卻能完美傳遞薩拉馬哥小說中的陰森和可怕感覺。在舞台製作上，運用旁白這種表演形式有甚麼具體挑戰？我不會說這是旁白。尤其在第二部分，茱麗葉全情投入到角色之中，整個錄音過程就像用咪高峰拍攝她一樣，每段錄音都加入了許多細節。我覺得我們最欣賞茱麗葉之處是，觀眾透過她的聲演相信自己正在親眼見證一個社會的崩壞，能以一把聲音就達至這個效果，真令人驚歎。

Did you approach the sound design any differently to how you would for a regular show? Indeed, sound is at the heart of the production. However, Blindness is really a sound and light installation. We found a new way how the light installation interacts with the sound, sometimes going into the extremes of complete darkness or blinding light. One of the highlights of the show is part two, in which we recorded Juliet with a binaural head, audiences are experiencing a three dimensional performance by Juliet. A lot of thought went into which microphones we could use for each part. And this was definitely a different approach to a normal show. But again, sound and lights were the key ingredients with a superb performance by Juliet. Juliet Stevenson delivers the narrative all on her own, yet manages to perfectly convey the sinister menace of Saramago’s novel. What were the particular challenges of delivering a stage production using voiceover? I wouldn’t call it a voiceover. In part two, especially, Juliet inhabits the character and the recording process was like filming her with a microphone. A lot of detail went into each take. I think the biggest compliment we can make Juliet is that the audiences believe through her voice that we are witnessing a breakdown of a whole society— to pull that off as a singular voice is quite remarkable.

訪問

Interview

© Helen Maybanks 茱麗葉．史提芬森正在以「人頭錄音」技術錄製聲音演出。這種雙路立體聲錄音技術將咪高峰放在人頭的兩邊收音，能加強聲音的環繞效果及臨場感 Juliet Stevenson in the recording with a binaural head. The binaural recording technique builds on the principle of placing microphones on an artificial head, therefore the sensations of space and perspective in the recording reproduced will be much more real

你認為這種沒有演員、毋須搭建舞台的劇場製作是否適用於其他製作？我們現正與同一團隊合作另一個音效製作，這次涉及環迴系統，現時雖還處於早期階段，但我覺得大家都非常享受以這種方式合作。但與此同時，我們亦渴望再次參與有演員現場演出的製作，我不認為必須要二選其一。

與香港藝術節英文編輯 Oliver Farry 對談。

Do you think this type of stageless theatre without actors can be replicated in other contexts? We are actually working with the same team on another sound project, this time with a surround system. We are still in the early stages, but I think we have all really enjoyed working together in this way. But at the same time, I think we are all also craving to work on productions with actors being present on stage again. I don’t think it’s an either/or.

As told to the HKAF’s English Editor Oliver Farry.

說書人之聲 / 醫生太太 – 茱麗葉．史提芬森

茱麗葉．史提芬森

Juliet Stevenson

說書人之聲 / 醫生太太

Voice of the Storyteller/ Doctor’s wife

茱麗葉．史提芬森是英國著名演員。她近期的劇作包括：《醫生》（她憑此劇獲得劇評人獎之最佳女演員，以及獲提名奧利花獎最佳女演員）、《瑪麗．史釗活》、《哈姆雷特》（倫敦艾爾美達劇院及倫敦西區）、《翼行者》、《啊！美麗的日子》（新域劇團）。史提芬森於 1991 年憑演出《死神與少女》獲奧利花獎最佳女演員，其後更獲提名同一獎項五次。史提芬森曾經獲得英國電影學院獎的提名，其電影作品包括：《人鬼未了情》（英國標準晚報電影獎最佳女演員）、《我愛碧咸》、《崎路父子情》及《情迷茱莉婭》。史提芬森最近期的電視作品包括：《蔚藍海岸》，以及於 2020 年十月播映、與莎拉．派斯柯演出的喜劇系列《錯亂人生》。其他作品還有《誰是凶手》及《凶宅異聞錄》，她亦有在《亞特蘭蒂斯》及《緣來一村》中固定演出。

Voice of the Storyteller/Doctor’s wife – Juliet Stevenson

Juliet Stevenson is one of Britain’s leading actors. Her most recent theatre credits include The Doctor—for which she won the Critics’ Circle Award for Best Actress and an Olivier Award nomination for Best Actress, currently pending, Mary Stuart, Hamlet (Almeida Theatre/ West End) and Wings, Happy Days (Young Vic). Juliet won the Olivier Award for Best Actress in 1991 for her performance in Death and the Maiden, and has been nominated a further five times. Stevenson has received five BAFTA nominations for her work on screen. Her films include Truly, Madly, Deeply (Evening Standard Film Award for Best Actress); Bend it Like Beckham; When Did You Last See Your Father? and Being Julia. Stevenson’s latest television work includes Riviera and Out of Her Mind, a comedy series with Sara Pascoe, which aired from October 2020. Her other credits include One of Us and The Enfield Haunting, and she appeared as a series regular in Atlantis and The Village.

文本 – 西蒙．史提芬斯

西蒙．史提芬斯

Simon Stephens

文本 Writer

西蒙．史提芬斯是奧利花獎及東尼獎的得獎編劇。其劇場作品包括：《福瑞特》（東京藝術劇場）；《瑪莉亞》及《狂歡》；《三便士歌（漢堡塔利亞劇院）劇》（英國國家劇院）；《父國》（曼徹斯特國際藝術節 2017、漢默史密斯劇院及倫敦國際戲劇節 2018 ）；《海森堡》（倫敦西區）；《沉淪》（倫敦巴比肯中心及阿姆斯特丹劇團）；《海鷗》、《倉鷺》、《早晨》、《三國》、《星空大爆炸》、《龐克搖；《瓦解滾》（漢默史密斯劇院）卡門》（漢堡德國劇院及倫敦艾爾美達劇院）；《核戰》、《雀鳥之地》、《鄉村音樂》、《知更鳥》（皇家宮廷劇院）；獲奧利花獎及東尼獎最佳新劇獎的《深夜小狗神秘習題》（英國國；家劇院、倫敦西區及百老匯）《玩偶之家》（新域劇團及倫敦西區）；《海堤》（叢林劇場）；《哈珀．雷根》及《港口》（曼徹斯特皇家交易所劇院及英國；《世界的海邊》（曼國家劇院）徹斯特皇家交易所劇院）。此外，他同時為電影、電視及電台編寫劇本。史提芬斯是曼徹斯特都會大學創意寫作學院之教授，以及漢默史密斯劇院的駐團藝術家。

Writer – Simon Stephens

Simon Stephens is an Olivier and Tony award-winning playwright. His theatre credits include Fortune (Metropolitan Theatre, Tokyo); Maria, Rage (Thalia Theatre, Hamburg); The Threepenny Opera (National Theatre); Fatherland (Manchester International Festival 2017/ Lyric Hammersmith/London International Festival of Theatre 2018); Heisenberg (West End); Obsession (Barbican Centre / Toneelgroep, Amsterdam); The Seagull, Herons, Morning, Three Kingdoms, A Thousand Stars that Explode in the Sky, Punk Rock (Lyric Hammersmith); Carmen Disruption (Deutsches Schauspielhaus/Almeida Theatre); Nuclear War, Birdland, Country Music, Bluebird (Royal Court Theatre); The Curious Incident Of The Dog In The NightTime— Olivier and Tony Awards for Best New Play (National Theatre/West End/Broadway); A Doll’s House (Young Vic/West End); Sea Wall (Bush Theatre); Harper Regan, Port (Royal Exchange Theatre, Manchester/ National Theatre); On the Shore of the Wide World (Royal Exchange Theatre, Manchester). He has also written for film, television and radio. Stephens is a professor at the Manchester Writing School at Manchester Metropolitan University and artistic associate at the Lyric Hammersmith.

導演 – 華特．邁耶約翰

華特．邁耶約翰

Walter Meierjohann

導演 Director

華特．邁耶約翰於 2013 至 2018 年擔任 HOME 藝術中心的藝術總監，以及倫敦新域劇團的海外副導演。他在新域劇團執導的作品包括：特雷爾．麥康納的《在紅色和棕色的水裏》（歐洲首演），以及《卡夫卡的猴子》，（巡演至悉尼、墨爾本、雅典、巴黎、東京、伊斯坦堡、台北及紐約）。《卡夫卡的猴子》由凱瑟琳．亨特主演，亦是 HOME 藝術中心 2015 年劇季的開幕演出，當時再次由亨特主演。

邁耶約翰一直與德國及英國的劇院緊密合作，包括倫敦巴比肯中心、利物浦劇院、諾定咸劇院、萊斯特曲線劇院、慕尼黑王宮劇院、德累斯頓國家劇院、格拉茨劇院、衝動戲劇節，以及在柏林特雷普托充競技場與彼得．斯坦的浮士德劇團合作。在邁耶約翰加入新域劇團前，他在德累斯頓國家劇院的擔任國際新文本寫作劇院 Neubau 的藝術總監。歌劇方面，他曾協助克勞斯—米高．嘉博製作《阿依達》（荷蘭阿姆斯特丹歌劇院）及《唐喬望尼》（魯爾戲劇節）。

Director – Walter Meierjohann

Walter Meierjohann was artistic director of HOME from 2013 to 2018 and international associate director at the Young Vic in London. At the Young Vic, his productions included the European premiere of In the Red and Brown Water by Tarell McCraney and Kafka’s Monkey, which toured to Sydney, Melbourne, Athens, Paris, Tokyo, Istanbul, Taipei and New York. Kafka’s Monkey, which starred Kathryn Hunter, also showed in HOME’s 2015 opening season, with Hunter reprising her lead role. Meierjohann has worked extensively in Germany and the UK at theatres including the Barbican Centre; Liverpool Playhouse Theatre; Nottingham Playhouse; Curve Theatre, Leicester; Residenztheater, Munich; Staatsschauspiel, Dresden; Schauspielhaus, Graz; and Arena, Berlin, for Peter Stein’s Faust Ensemble and Impulse Theatre Festival. Prior to joining the Young Vic, Walter was Artistic Director of Neubau at the State Theatre of Dresden. In opera, he has assisted the late Klaus-Michael Grüber in his productions of Aida (Nederlands Opera, Amsterdam) and Don Giovanni (Ruhrfestspiele).

班．榮咸及麥斯．榮咸

Ben and Max Ringham

音效設計 Sound Designers

H-100 2019 Award for Innovation in Theatre and Performance in 2019. Recent credits for the Donmar include Teenage Dick, Berberian Sound Studio and Belleville and their other recent theatre credits include Cyrano de Bergerac, Pinter at the Pinter (West End); Betrayal (West End/ Broadway); The Seven Ages of Patience, Pass Over (Kiln Theatre); Ugly Lies the Bone, Tartuffe (National Theatre) and more. Other composition and sound design work includes Frida Kahlo: Making Herself Up at The V&A, Mirror Maze and Room 2022 with Es Devlin, Rembrandt – The Late Works at The National Gallery, The Inspection Chamber for Amazon Alexa, BBC Research and Development.

2019 年，班和麥斯聯同作家艾拉．希克森創作《安娜》，一個以耳機進行、在英國國家劇院的演出。此外，他們也是體驗劇場 Wiretapper 的共同創辦人，以及尚特劇團的駐團藝術家。他們曾四度獲奧利花獎提名，於 2019 年獲英國文創機構醫院俱樂部譽為在劇場及表演產業上具創造力的一百人之一。近期為多瑪倉庫劇院創作的作品包括：《少年迪克》、《邪典錄音室》及《美麗城》。其他劇作還有：《大鼻子情聖》及《品特話品特》（倫敦；《背叛》（倫敦西區及百西區）老匯）；《忍耐的七個階段》及；《醜陋入骨》《跨過》（窯劇院）莉茲．克拉肯及《偽君子》（英國國家劇院） Lizzie Clachan 等。其他作曲及音效設計作劇場設計 Designer 品包括：在維多利亞與艾伯特博物館的《芙烈達卡蘿：裝扮莉茲．克拉肯是知名劇場及歌人生》展覽、艾斯．德夫林的劇設計師，也是尚特劇團共同佈景裝置《鏡中迷宮》和《房創辦人之一。她為多瑪倉庫劇間 2022 》、倫敦國家美術館的院的設計作品包括《遠方》及《林布蘭：後期作品》展覽、由《春風不化雨》。其他劇場設亞馬遜公司智能助理 Alexa 及計包括：《一個數字》（塔橋劇英國廣播公司研究發展部製作；《兒子》（窯劇院及倫敦西院）的科幻喜劇《檢查室》。；《妮可的計劃》（曼徹斯特區）國際藝術節及墨爾本國際藝術 In 2019 Ben and Max, together 節）；《盧瑟福父子》、《絕對地 with writer Ella Hickson, created ANNA—a headphone-based 獄》、《皆大歡喜》、《被仁慈殺 show at the National Theatre. 害的女人》、《金銀島》及《愛 They are co-creators of the 德華二世》（英國國家劇院）； immersive theatre company 《賽普勒斯大道》（皇家宮廷劇 Wiretapper and are associate 院、都柏林艾比劇團及紐約公 artists with the Shunt collective. ；《耶瑪》（新域劇團及共劇院） Four-time Olivier Award 紐約公園大道軍械庫）；《伽利 nominees, they received the 28

略傳》、《馬克白》及《剛果的；《南茜一個季節》（新域劇團）的情史》（漢默史密斯劇院）；《精靈史詭計》（曼徹斯特皇家；《瓦解卡門》（倫交易所劇院）；《禁區》（薩敦艾爾美達劇院）爾斯堡藝術節 Perner Insel ）；《都是我的孩子》（攝政公園露；《易卜生之屋》（阿姆天劇場）斯特丹劇團及亞維儂藝術節）。

克拉肯的歌劇設計包括：《奧爾菲斯的面具》、《奧爾菲斯》、《地獄中的奧爾菲斯》及《奧爾菲斯與尤麗迪絲》（英國；《尼克遜在中國》國家歌劇院）（漢諾威國立歌劇院）及《耶奴法》（荷蘭阿姆斯特丹國家歌劇院）等。

Lizzie Clachan is a renowned theatre and opera designer and was one of the co-founders of the Shunt collective in 1998. Her previous work at the Donmar includes Far Away and The Prime of Miss Jean Brodie. Other recent theatre includes A Number (Bridge Theatre); The Son (Kiln Theatre/West End); The Nico Project (Manchester International Festival/Melbourne International Arts Festival); Rutherford & Son, Absolute Hell, As You Like It, A Woman Killed with Kindness, Treasure Island, Edward II (National Theatre); Cyprus Avenue (Royal Court Theatre/Abbey Theatre, Dublin/ Public Theatre, NY); Yerma (Young Vic/Armory, NY); Life of Galileo, Macbeth, A Season in the Congo (Young Vic); Tipping the Velvet (Lyric Hammersmith); The Skriker (Royal Exchange Theatre,

創作團隊簡介

Manchester); Carmen Disruption (Almeida Theatre); The Forbidden Zone (Perner Insel, Salzburg Festival); All My Sons (Regent’s Park Open Air Theatre); Ibsen Huis (Toneelgroep, Amsterdam/ Festival d'Avignon). Clachan’s opera credits include Mask of Orpheus, Orphée, Orpheus in the Underworld, Orpheus and Eurydice (English National Opera), Nixon in China (Staatsoper Hannover); Jen fa (Amsterdam National Opera) and more. 潔西卡．洪

Jessica Hung Han Yun

燈光設計 Lighting Designer

潔西卡．洪是榮獲多個獎項的燈光設計師，專注為裝置藝術、劇場、舞蹈及藝術節擔任設計。

她的劇場設計包括：《最後的派力肯女兒》（合拍劇團、愛丁堡國際藝穗節及皇家及德蓋特劇院）；《美景鎮》（新域劇；《雪花》（窯劇院）；《梅菲團）斯托》狂想曲、《親愛的伊莉莎白》及《人類的呼聲》（蓋特劇團）；獲得 2019 英國照明設計大獎及倫敦外西區戲劇獎最佳燈光設計的《戀馬狂》（東倫敦斯特拉特福皇家劇院及倫敦西區）；《殺死凱莉．珍娜的七種方法》及《帕拉》（皇家宮廷；《遺忘》（普利茅斯皇家劇院）劇院及阿可拉劇院）；《蜂巢城傳奇》（圓屋劇場及由《棕色甜心》製作人創作）；《杜鵑鳥》

Creative Team Profiles

（蘇活劇院）；《九尺九》（沙坑劇場）；《漸成黑影》（ 2018「地窖」藝術節）。

Jessica Hung Han Yun is a multiaward-winning lighting designer specialising in installations, theatre, dance and festivals. Hung’s recent theatre credits include The Last of the Pelican Daughters (Théâtre de Complicité / Edinburgh Festival Fringe / Royal & Derngate Theatre); Fairview (Young Vic); Snowflake (Kiln Theatre); Mephisto [A Rhapsody], Dear Elizabeth, The Human Voice (Gate Theatre); Equus—Knight of Illumination Award 2019 and Off West End Theatre Awards for Best Lighting Design (Theatre Royal Stratford East/West End); Seven Methods of Killing Kylie Jenner, Pah-La (Royal Court Theatre); Forgotten (Theatre Royal Plymouth/ Arcola Theatre); Hive City Legacy (Roundhouse with Hot Brown Honey); Cuckoo (Soho Theatre); Nine Foot Nine (Bunker Theatre); Becoming Shades (Vault Festival 2018).

多瑪倉庫劇院簡介

About Donmar Warehouse

多瑪倉庫劇院

DONMAR WAREHOUSE

多瑪倉庫劇院座落於倫敦高文花園，是個擁有二百五十一個座位的非牟利劇場，由藝術總監米高．朗赫斯特及行政總監亨尼．芬奇主理。劇團旨在聚集各色各樣的觀眾，在其小巧親密的劇場空間及其他地方共同創造、欣賞以及參與世界級劇場製作。

多瑪倉庫劇院成立至今二十八年，曾獲得超過一百個獎項，也創作了不少著名劇目，例如劇場創辦人兼藝術總監森．曼德斯的音樂劇《酒店》（由艾倫．甘明主演），以及《藍色房間》（由妮歌．潔曼主演）等。2002 至 2012 年之藝術總監米高．格蘭道吉帶來多套著作，包括《奧賽羅》（由楚伊特．艾治奧福及伊雲．麥葛萊格主演）及《紅》（由艾佛．莫連那及艾迪．瑞德曼主演）；2012 至 2019 年之藝術總監喬西．洛克則製作出《科利奧蘭納斯》（由湯．希迪斯頓主演），以及由菲利達．勞埃德執導的全女班莎士比亞劇作三部曲。現任藝術總監米高．朗赫斯特於 2019/20 年劇季就任，呈獻由多位著名劇作家執筆的新劇目，包括布蘭登．積各斯—贊健士、愛麗絲．伯奇及邁克．路易。

The Donmar Warehouse is a 251-seat, not-for-profit theatre in Covent Garden, London, led by artistic director Michael Longhurst and executive director Henny Finch. Their mission is to bring together a wide variety of people in their intimate warehouse space and elsewhere to create, witness and participate in thrilling, world-class theatre. The Donmar has won more than 100 awards in its 28-year history, with highlights of the programme including founder artistic director Sam Mendes’s productions of Cabaret (with Alan Cumming) and The Blue Room (with Nicole Kidman). Michael Grandage (Artistic Director 2002–2012) brought notable productions of Othello with Chiwetel Ejiofor and Ewan McGregor, and Red with Alfred Molina and Eddie Redmayne. Josie Rourke (artistic director 2012–2019) brought Tom Hiddleston in Coriolanus, and a trilogy of all-female Shakespeare plays directed by Phyllida Lloyd. Current artistic director Michael Longhurst’s inaugural 2019–20 season included new play by leading writers including Branden Jacobs-Jenkins, Alice Birch and Mike Lew.

鳴謝 ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member 嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

純銀會員 Silver Member 太古集團慈善信託基金

The Swire Group Charitable Trust

青銅會員 Bronze Members 鷹君集團 Great Eagle Group

上海商業銀行有限公司

Shanghai Commercial Bank Limited

實物支持機構 In-kind Supporters

嘉頓有限公司 The Garden Company Limited

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者

PLATINUM DONORS

HK$140,000 或以上 AND ABOVE

無名氏 (2) Anonymous (2) Burger Collection

鑽石捐款者

DIAMOND DONORS HK$70,000 – HK$139,999

Rusy and Purviz Shroff Charitable Foundation

田家炳基金會

Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation 黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

Dr Chung See Yuen Peter and Nancy Thompson Mr William To

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 Anonymous

Initial Fashion

Mr Iain Bruce Yvonne Cheng & Kelvin Koo 馮兆林先生夫人 Mr & Mrs Fung Shiu Lam Dr Mak Lai Wo

黃乃正及陳頴儀

Ms Wong Pie Yue Cleresa

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (6) Anonymous (6) Ms Anna CY Chan

網上藝術教育捐助計劃 Digital Arts Education Scheme

鑽石捐款者

黃金捐款者 GOLD DONORS

HK$70,000 – HK$139,999

Dr & Mrs Samuel and Ellen Lam Stefan & Caroline Kracht

DIAMOND DONORS

法國巴黎銀行 BNP Paribas Lincoln & Yu-San Leong Sino Group

HK$12,000 – HK$29,999

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 Anonymous

藝術節捐助計劃 Festival Donation Scheme

翡翠捐款者 JADE DONORS HK$30,000 – HK$69,999

無名氏 Anonymous

Nathaniel Foundation Limited Nine Queens Investment Limited Shun Hing Group

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

Mr & Mrs Jeffrey & Helen Chan Mr SHN Cheng Ms Jenny Hodgson

Mr Stephen Tan Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao Samuel & Amy Wang Mr Andric Yew

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 (5) Anonymous (5) Mr & Mrs David S L Lin Dr Michael Mak Dr Ronald Paul Ng

新作捐助計劃 New Works Scheme

翡翠捐款者 JADE DONOR HK$30,000 – HK$69,999

Nine Queens Investment Limited

黃金捐款者 GOLD DONOR HK$12,000 – HK$29,999

劉仰澤先生 Mr Lau Yeung Chak 純銀捐款者 SILVER DONOR HK$6,000 – HK$11,999

無名氏 Anonymous

Yvonne Cheng & Kelvin Koo Mrs Germaine Tso Ms Wu Tseng Helen

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (4) Anonymous (4) Star B Chan & MDB

Mrs A.M. Peyer Leland & Helen Sun Mr Wong Yick Kam Ms Isabel Yiu

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (9) Anonymous (9) Mrs Veryan E. Bradshaw Ms Grace Chiang Ms Fung Man Yee

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 Anonymous Ms Grace Chiang Mr S C Tong Ling

Ms Chan Wan Tung Mr D Chang Ms Christine Lam Ms Savita Leung Mrs A.M. Peyer Ms Janice Ritchie Mr Alex So Mrs Teresa Pong Tam Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao

殷和順先生劉善萍女士

Mr Lee King Fung Mrs A.M. Peyer Mr Alex So Mrs Teresa Pong Tam Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao

Dr Alfred Lau Ms Khoo Li Lian Flavia & Gary Ma Mr & Mrs Gary Ma Mr Jose Manuel Sevilla Sora.C Mr & Mrs Ian Stone Mrs Teresa Pong Tam Yeung’s family Dr Jason Yeung

Mauretania Co. Ltd. Mrs A.M. Peyer Mrs Teresa Pong Tam

支持及協助 SUPPORT AND COOPERATION Acorn Design Alfie Leung Design

教育局藝術教育組

Arts Education Section, Education Bureau 香港展能藝術會

Arts with the Disabled Association Hong Kong 香港愉景灣酒店

Auberge Discovery Bay Hong Kong 奧地利駐香港總領事館

Austrian Consulate General Hong Kong 樺利廣告有限公司

Avanny Advertising Co Ltd

香港小交響樂團

Hong Kong Sinfonietta 宜必思香港中上環

ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia)

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices Outside Hong Kong 港島太平洋酒店

Island Pacific Hotel Hong Kong JellyBin Limited

• 文學院 Faculty of Arts

香港演藝學院

The Hong Kong Academy for Performing Arts

• 戲曲學院 School of Chinese Opera • 戲劇學院 School of Drama

• 音樂學院 School of Music

中環石板街酒店

The Pottinger Hong Kong

港青 - 香港基督教青年會 The Salisbury – YMCA of Hong Kong 綠葉劇團

BRICK LANE

高山劇場

光華新聞文化中心

THEDO

British Consulate General Hong Kong

中央人民政府駐香港特別行政區聯絡辦公室

Tom Lee Music Company Ltd

英國駐香港總領事館

Ko Shan Theatre

Théâtre de la Feuille

Broadway Cinema

Kwang Hwa Information & Culture Center

通利琴行

CAMPSITE

Liaison Office of the Central People's Government in the HKSAR

Trinity Theatre

Cattle Depot Artist Village

Marco Polo Hongkong Hotel

百老匯院線 Broadway Circuit

三角關係

馬哥孛羅香港酒店

屯門大會堂

周生生集團國際有限公司

Maxibit HK/China

URBTIX

中信國際電訊（信息技術）有限公司

Ministry of Culture and Tourism, PRC

牛棚藝術村

Chow Sang Sang Jewellery Co. Ltd

CITIC Telecom International CPC Limited 城市當代舞蹈團

City Contemporary Dance Company 城巿花園酒店

中華人民共和國文化和旅遊部

Mission Production Company Ltd MOViE MOViE 太古城中心 MOViE MOViE Cityplaza

City Garden Hotel

MOViE MOViE 太古廣場 MOViE MOViE Pacific Place

Consulate General of Canada in Hong Kong and Macau

Mr Alpha Li

加拿大駐香港總領事館

捷克共和國駐香港領事館

Consulate General of the Czech Republic in Hong Kong 俄羅斯駐香港總領事館

Consulate General of the Russian Federation in Hong Kong SAR, PRC 香港城市大學中文及歷史學系

Department of Chinese and History, The City University of Hong Kong 香港教育大學文化與創意藝術學系

Department of Cultural and Creative Arts, Education University of Hong Kong 嶺南大學文化研究系

李鏡輝先生

前進進戲劇工作坊 On & On Theatre Workshop

One Minden Tapas Kitchen 柏斯琴行

Parsons Music Limited

沙田大會堂

Sha Tin Town Hall

Hong Kong Arts Administrators Association

上環文娛中心

Sheung Wan Civic Centre

Hong Kong Arts Centre

Shun Hing Electronic Trading Co., Ltd.

Hong Kong Baptist University

•音樂系 Department of Music

•拉闊文化 Cultural Literacy Programme

香港中樂團

元朗劇院

Yuen Long Theatre 赤豚事務所

Zhu Graphizs

Speedy Promotion Limited 台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

Hong Kong Cultural Centre

香港八和會館

Hong Kong Gold Coast Hotel

香港中文大學

Tao Fong Shan Christian Centre The Artland Co Ltd

The Chinese Artists Association of Hong Kong The Chinese University of Hong Kong

Hong Kong Philharmonic Orchestra

• 文化及宗教研究系 Department of Cultural and Religious Studies

Hong Kong Tourism Board

• 音樂系 Department of Music

香港旅遊發展局

wine etc

事必達推廣有限公司

藝林文具印刷有限公司

香港管弦樂團

Wharney Hotel

Southgate Design

Hong Kong City Hall 香港黃金海岸酒店

粵海華美灣際酒店

信興電器貿易有限公司

道風山基督教叢林

香港文化中心

West Kowloon Cultural District Authority

Primasia Corporate Services Limited

Hong Kong Chinese Orchestra 香港大會堂

西九文化區管理局

Pixellent

Gloucester Luk Kwok Hong Kong

香港浸會大學

Wealthy Step Printing Co.

Piano Arts Service Limited

Royal Pacific Hotel

香港藝術中心

進富印刷公司

PCCW

皇家太平洋酒店

香港藝術行政人員協會

WeDraman Black Box Theatre

電訊盈科

Fringe Club 六國酒店

同流黑盒劇場

Patsville Company Ltd

犇華企業服務有限公司

藝穗會

城市售票網

卓滙達有限公司

Die Konzertisten

Department of Cultural Studies, Lingnan University

Tuen Mun Town Hall

節目一覽 FESTIVAL PROGRAMME 新冒險舞蹈團及 Illuminations 製作馬修．伯恩舞蹈電影《仙履奇緣》

A New Adventures and Illuminations Production Matthew Bourne's Dance Film Cinderella 幕後花絮 Behind-the-scenes

新冒險舞蹈團及 Illuminations 製作馬修．伯恩舞蹈電影《羅密歐與茱麗葉》

A New Adventures and Illuminations Production Matthew Bourne's Dance Film Romeo & Juliet 幕後花絮 Behind-the-scenes

新冒險舞蹈團及 Illuminations 製作馬修．伯恩舞蹈電影《天鵝湖》

A New Adventures and Illuminations Production Matthew Bourne's Dance Film Swan Lake 幕後花絮 Behind-the-scenes

新冒險舞蹈團及 Illuminations 製作馬修．伯恩舞蹈電影《紅舞鞋》

A New Adventures and Illuminations Production Matthew Bourne's Dance Film The Red Shoes 荀伯格合唱團

Arnold Schoenberg Choir 《節目構想》 Curating the Programme

《後浪漫主義時期的歐洲合唱音樂傳統》 The European Choral Tradition of the Late Romantic Period

粵劇《挪亞方舟》

Cantonese Opera Noah’s Ark

幕後花絮 Behind-the-scenes

《當彩瓷遇上戲曲》 Telling Images of Xiqu on Porcelain

查爾斯．理察－哈梅林音樂會 Charles Richard-Hamelin

Concerts

《面對鋼琴大賽的焦慮》 Conquering Performance Anxiety in Piano Competition

中國國家京劇院《龍鳳呈祥》

China National Peking Opera Company A Perfect Matrimony 多瑪倉庫劇院《盲流感》

Donmar Warehouse Blindness

陳以琳與安特衛普交響樂團

Elim Chan and the Antwerp Symphony Orchestra 香港中樂團 — 樂旅中國

Hong Kong Chinese Orchestra Music About China 香港小交響樂團莫扎特交響協奏曲

Hong Kong Sinfonietta & Adrien La Marca 俄羅斯莫伊謝耶夫舞團「特備節目」

Igor Moiseyev State Academic Ensemble of Popular Dance Igor Moiseyev Ballet Special

《繼續演出》─ 伊蓮娜．莎巴科娃從藝五十年 Without Intermission – 50 Years of Artistic Life of Elena Shcherbakova

香港小交響樂團英雄 · 貝多芬

Inspired by Beethoven – Hong Kong Sinfonietta•Eroica

賽馬會本地菁英創作系列《後話西遊》/《兩個女子》

Jockey Club Local Creative Talent Series Journey to the West Rewind / Women Like Us

《〈兩個女子〉：追求漫長幸福路的艱辛》 Women Like Us On the Arduous Path to Happiness 《〈後話西遊〉：如何在新常態下繼續取經》 The New Normal of Journey to the West Rewind

賽馬會本地菁英創作系列音樂劇《日新》（暫名）工作坊展演

Jockey Club Local Creative Talent Series Yat-sen (tentative title) Work-inProgress Preview 《〈日新〉創作團隊訪問》 Creative team sharing on Musical Yat-sen

捷克布爾諾國家歌劇院《耶奴法》

National Theatre Brno Jen fa

幕後花絮 Behind-the-scenes

《追尋楊納傑克的足跡》 In the Footsteps of Leoš Janá ek 《樂遊捷地》 Into the Czech Lands

捷克布爾諾國家歌劇院《狡猾的小狐狸》

National Theatre Brno The Cunning Little Vixen

幕後花絮 Behind-the-scenes

捷克布爾諾國家歌劇院《失蹤者的日記》

National Theatre Brno The Diary of One Who Disappeared 《演繹楊納傑克》 Performing Janá ek

《楊納傑克的戀戀情思》 Janá ek's Unrequited Love

巴維．哈斯四重奏

Pavel Haas Quartet

《楊納傑克與馬天奈弦樂四重奏：親暱與著迷》 Janá ek and Martin : Intimacy and Obsessions in String Quartets 《追尋楊納傑克》 Finding Your Own Janá ek

揚．巴托斯鋼琴獨奏會

Piano Recital by Jan Bartoš

《楊納傑克鋼琴作品分析》 Revealing Janá ek and His Piano Works

史葛 · 蕭凡《心靈旅程》

Scott Silven’s The Journey

演後藝人談 Meet-the-Artist

快刀劇場《無晴情天氣報告》

The Chop Pathetic Fallacy

香港賽馬會當代舞蹈平台《當代十年》

The Hong Kong Jockey Club Contemporary Dance Series Dance On and Off

《疫情下舞蹈家如何發展身體潛能》 Dancers at Home 《在不明確的世界中尋找眾聲起舞的意義》 Voice Out Mokita in An Uncertain World

香港賽馬會當代舞蹈平台《沒有大象》/《得體》

The Hong Kong Jockey Club Contemporary Dance Series Elephant in the Room / Dirty

香港賽馬會當代舞蹈平台《在不明確的世界中尋找意義》

The Hong Kong Jockey Club Contemporary Dance Series Finding Meaning in an Uncertain World

香港賽馬會當代舞蹈平台《 Mokita 》/《眾聲起舞》

The Hong Kong Jockey Club Contemporary Dance Series Mokita / Voice Out

香港賽馬會當代舞蹈平台《火滅》/《煉金》

The Hong Kong Jockey Club Contemporary Dance Series Put Out the Flame / Hermetic Diode

《鼠疫》（粵語版） The Plague (Cantonese version)

音樂 Music

舞蹈 Dance

戲劇 Theatre

歌劇 / 戲曲 Opera/Chinese Opera

加料節目

藝術家分享 Artist Sharing

幕後花絮 Behind-the-scenes

紀錄片放映 Documentary Screening 講座 Talks

網上展覽 Online Exhibition 請瀏覽香港藝術節網站，查看最新節目資訊 Please visit the HKAF website for latest programme information

www.hk.artsfestival.org

《為鼠疫作證》 The Witnesses of The Plague

《鼠疫》（英語版） The Plague (English version)

《此時此刻，重讀卡繆〈瘟疫〉》 Seeing your own plague in Albert Camus’s The Plague

維也納交響樂團音樂會

Wiener Symphoniker’s Concerts 導賞講座 Guided Talk

吳懷世與首爾愛樂樂團

Wilson Ng and the Seoul Philharmonic Orchestra 葉氏兒童合唱團兒童歌劇《愛麗絲夢遊仙境》

Yip’s Children’s Choir Children’s Opera Alice in Wonderland

電話 Tel 傳真 Fax 電郵 Email 節目查詢

Programme Enquiry

2824 3555 2824 3798 / 2824 3722 afgen@hkaf.org 2824 2430

香港灣仔港灣道 2 號 12 樓 1205 室

Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

贊助人

林鄭月娥女士

PATRON

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS

永遠名譽會長

邵逸夫爵士

HONORARY LIFE PRESIDENT

Sir Run Run Shaw, CBE (1907-2014)

執行委員會

EXECUTIVE COMMITTEE

主席

查懋成先生

義務司庫

李錦榮先生

副主席委員

節目委員會主席委員

盧景文教授鄭維新先生鄭惠貞女士梁靳羽珊女士梁卓偉教授文肇偉先生孫大倫博士姚潔莉女士楊光先生

委員

盧景文教授

白諾信教授紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 * 譚榮邦先生姚珏女士李錦榮先生

鄭惠貞女士梁國輝先生

發展委員會主席

副主席委員

顧問

名譽法律顧問核數師

Mr Victor Cha

Vice Chairman

Prof Lo King-man, MBE, JP, SBS

Honorary Treasurer

Mr William Li

Members

Mr Edward Cheng, GBS JP Ms Margaret Cheng Mrs Yu-san Leong Prof Gabriel Leung, GBS JP Mr Sebastian Shiu-wai Man Dr Dennis T L Sun, BBS JP Ms Miriam Yao Mr Sunny Yeung

PROGRAMME COMMITTEE

財務委員會主席

Chairman

梁靳羽珊女士雍景欣女士

鄭阮培恩女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生陳祖澤博士陳達文博士霍璽先生李業廣先生梁紹榮夫人李國寶博士

甘乃迪女士（孖士打）羅兵咸永道會計師事務所

* 榮譽節目顧問 Honorary Programme Advisor 36

Chairman

Prof Lo King-man, MBE, JP, SBS

Members

Prof Giorgio Biancorosso Prof David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig * Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP

FINANCE COMMITTEE Chairman

Mr William Li

Members

Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman

Mrs Yu-san Leong

Vice Chairman

Ms Jane Yong

Members

Mrs Betty Yuen Cheng Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao

ADVISORS

The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Dr John C C Chan, GBS CBE LVO JP Dr Darwin Chen, SBS ISO Mr Angus H Forsyth The Hon Charles Y K Lee, GBM GBS OBE JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon Sir David K P Li, GBM GBS OBE JP

HONORARY SOLICITOR

Ms Gabriela Kennedy, Mayer Brown

AUDITOR PricewaterhouseCoopers

職員

STAFF

行政總監行政總監助理

何嘉坤 ** 何丹蓉

助理節目經理節目統籌藝術行政見習員物流及接待經理

梁掌瑋 ** 蘇國雲司徒頌欣 * 葉健鈴譚小敏 * 袁潔敏 * 郭笑 * 金學忠 *

節目節目總監副節目總監節目經理

行政節目經理 ( 行政 ) 節目主任 ( 行政 ) 技術製作經理助理製作經理出版編輯英文編輯助理編輯

外展高級外展經理副外展經理助理外展經理外展主任市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任藝術行政見習員

票務市場經理 ( 票務 ) 票務主任

發展發展總監發展經理

助理發展經理藝術行政見習員會計財務主管會計經理會計主任

人力資源及行政行政經理接待員 / 初級秘書助理

無限亮項目主管項目統籌節目及外展經理助理節目及外展經理市場經理助理市場經理外展統籌助理技術及製作經理高級會計主任

Executive Director Assistant to Executive Director

游慧姿 * 余瑞婷 * 黃傲軒 *

蘇雪凌程鶩誼 * 梁雅芝 * 莫賦斌 * 廖健邦 * Oliver Farry* 鄭豐榮 * 黎家欣 * 李冠輝 ** 鄧冠恆 * 林嘉敏 * 張翠騫 * 李萬祺 * 鄭尚榮 ** 胡銘堯 ** 陳志雄 * 楊璞 * 郭駿成 * 陳閏霖 * 劉萍 * 張予心 * 梁彩雲陳偲穎 * 余潔儀 ** 張慧芝 * 譚樂瑤蘇寶蓮 * 吳樂怡 *

李玨熙 *

周怡

鍾卓祐 * 麥紫琴 *

鄺敬婷 ** 杜詩麗 * 蘇永恆 * 譚智盈 * 李美娟黃國愛鍾雅妍 * 陸凱盈 * 林淦鈞 * 陳慧晶 * 雷淑雯 * 朱穎欣 * 馮顯峰 * 陳梓衡 * 彭健欣 *

汪盈 *

* 合約職員 Contract Staff ** 無限亮指導委員會成員 No Limits Steering Committee Members

PROGRAMME Programme Director Associate Programme Director Programme Managers Assistant Programme Managers Programme Coordinator Arts Administrator Trainee Logistics Manager

Tisa Ho** Connie Ho Grace Lang** So Kwok-wan Samantha Szeto* Linda Yip Tracy Tam* Loui Yuen* Stephanie Kuo* Elvis King*

ADMINISTRATION Programme Manager (Administration) Programme Officer (Administration)

Shirley So Spaky Ching*

TECHNICAL Production Manager Assistant Production Manager

Shirley Leung* Benny Mok*

PUBLICATIONS Editor English Editor Assistant Editors

James Liu* Oliver Farry* Rain Cheng*

OUTREACH Senior Outreach Manager Deputy Outreach Manager Assistant Outreach Manager Outreach Officers MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Arts Administrator Trainee TICKETING Marketing Manager (Ticketing) Ticketing Officers DEVELOPMENT Development Director Development Managers

Kenneth Lee** Joe Tang* Carman Lam* Tracy Cheung* Kelvin Li*

Janet Yau* Susanna Yu* Joseph Wong*

Melody Lai*

Michael Lee*

Katy Cheng** Dennis Wu** Dennis Chan* Alexia Chow Michelle Yeung* Joel Kwok* Ben Chan* Erica Lau* Stephanie Cheung* Eppie Leung Stephanie Chan*

Assistant Development Manager Arts Administrator Trainee

Flora Yu** Anna Cheung* Lorna Tam Conny Souw* Lois Ng*

ACCOUNTS Head of Finance Accounting Manager Accounting Officer

Teresa Kwong** Connie To* Peter So*

HR & ADMINISTRATION Office Manager Receptionist/Junior Secretary General Assistant

Judy Tam* Virginia Li Bonia Wong

NO LIMITS Project Administrator Project Coordinator Programme and Outreach Manager Assistant Programme and Outreach Manager Marketing Manager Assistant Marketing Managers Outreach Coordinator Assistant Technical and Production Manager Senior Accounting Officer

Fiona Chung* Helen Luk* Lam Kam-kwan* Ainslee Chan* Germaine Lui* Wendy Chu* Wilson Fung* Jacob Chan* Janice Pang*

Chung Cheuk-yau*

Mak Tsz Kam*

Tiffany Wong*

按英文姓氏首字母排列 In alphabetical order 2021 年 3 月更新 Updated March 2021